100 days with no regrets

animation series concept

100 Days with no Regrets is a dark, thought-provoking series the follows the fight against an oppressive system. What started as a spark of inspiration in 2018 has grown into my most cherished passion project. Blending intricate world-building with complex character arcs, the story challenges the lines between rebellion and progress, asking how far we’re willing to go for freedom.

LOGLINE

With only 100 days before the Demon Hierarchy erases all dissidents on Earth, a conflicted demon and a notorious angel-hybrid must form an alliance to overthrow the oppressive system they’re living in.

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The demon characters of 100 Days look very cat-like, because - as we all know - are cats the real demons.

100 Days with no Regrets is more than just a project - it's a journey that embodies my artistic evolution and commitment to creating meaningful narratives.

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Featured Work

commissions & university work

Commissioned illustrations for a client who transformed them into print media, showcasing adaptable designs for books, mugs, and more.

• products

commissioned illustrations

concept art

Environment concept art for an animated short film exploring Charles Bonnet Syndrome. I focused on capturing a muted and outdated environment to reflect the protagonist’s experiences.

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righteous

"It’s a typical story, though I bet you have not heard it before."

"Righteous" is a raw and unapologetic poem about generational oppression, personal rage, and the fight for equity. The words show the frustrations of women trapped in a cycle of silence, dismissed struggles, and unacknowledged pain. It dares to confront the comfort of those who ignore the injustices that persist across time.

• read here
• watch here

writing & storytelling

writing & storytelling

Creating stories and characters is my greatest passion. I specialize in emotionally charged narratives and character-driven arcs, weaving compelling themes with intricate relationships and thought-provoking morals.

deadline

“deadline” is a short game-like animation about the pressure of meeting a close-by deadline. "They call it a deadline, but no one actually dies, right?" Wrong. In the office, worker animals go insane with the stress as things start to get weird. The viewer, who can't influence the situation, notices the change in mood as objects start to glitch and files get corrupted.

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“This deadline seems to have deadly consequences.”

• watch prototype here

design and motion

Visual Design & Motion Graphics

I’ve been editing videos since I was 12 years old, and my passion for motion design has only grown over the years. Since 2018, After Effects has been a creative playground where I bring ideas to life with animations, visual effects, and motion graphics. For raw cuts, I rely on Magix Vegas, ensuring a seamless foundation for my projects before importing to AE. This section showcases the skills I’ve honed through years of exploration.

• more on my YouTube

motion design

AIs used: Midjourney, Kling, Pixverse

"righteous" is set to the rhythm of the same-titled poem. This short film shows scenes of life in a stylized AI-generated animations with interwoven real-life imagery that supports the spoken words.

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VFX & post-production

Behind-the-scenes look at my editing process for an animated comedy short called "The Bright Side of the Windowsill". This After Effects breakdown highlights my VFX and editing techniques.

• watch here

My love for crafting compelling characters and immersive narratives fuels everything I create. Whether I’m building worlds, designing visuals, or experimenting with motion, I’m always searching for the most impactful way to bring stories to life.As a storyteller and designer, I specialize in blending narrative with visual aesthetics. Using tools like our beloved Adobe programs, I dive into layouts, motion graphics, and visual styles to create meaningful work.To make the most of my workflow, I incorporate AI into my creative process — saving time and effort for what matters most to me: the story, its characters, and visual execution. I believe that animation is the most powerful medium for storytelling, and I’m excited to someday contribute my skills and vision to the industry.

• download my resume

about me

Stanny Kunz (16%darker)

born on 16th November 2001.